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Ianastasija Omoore
Ianastasija Omoore

Love Love Love Version Full Movies Extra Quality


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Love Love Love Version Full Movies Extra Quality


Films that seem to have everything going for them but that don't come together can be much more frustrating than films that are simply bad. You keep rooting for them and then sighing. Eleanor Coppola's second dramatic feature "Love is Love is Love" is that kind of film. It's an anthology of three short stories about love and commitment and the prismatic nature of the human personality. It draws together a first-rank cast of character actresses and actors, most of them over 50, then mostly fails to invest the material with the invention and snappiness needed to invigorate it and make it memorable, as opposed to merely agreeable.


The first segment follows a film producer named Jack and his confectioner wife Joanne (Chris Messina and Joanne Whalley) who are separated by geography (she's back in their hometown, he's in Montana shooting a movie) but decide to have a virtual date by taking their laptops to nearby restaurants. The appearance of a beautiful female colleague on Jack's end of the connection introduces a note of uncertainty and suspicion that changes the vibe of the meal. This spurs Jack to strenuously declare his love for Joanne, and makes Joanne unsure whether her husband is overdoing it because he got caught cheating or because he's just upset over having inadvertently upset her.


Love Actually is a 2003 Christmas romantic comedy film written and directed by Richard Curtis. It features an ensemble cast, composed predominantly of British actors, many of whom had worked with Curtis in previous film and television projects. Mostly filmed on location in London, the screenplay delves into different aspects of love as shown through ten separate stories involving a wide variety of individuals, many of whom are shown to be interlinked as the tales progress. The story begins five weeks before Christmas and is played out in a weekly countdown until the holiday, followed by an epilogue that takes place one month later.


A voiceover opens the film, commenting that whenever he gets gloomy about the state of the world, he thinks of the arrivals gate at Heathrow Airport, about the pure uncomplicated love of friends and families welcoming their loved ones. He also points out that the messages from the 9/11 victims were messages of love and not hate. The story then switches between the interconnecting "love stories" of many people:


Juliet and Peter's wedding is videotaped by the best man, Mark, where a surprise band plays the Beatles' "All You Need Is Love" as they walk out of the church. Although the couple believe Mark dislikes Juliet, he is actually in love with her. When he evades her requests to see the video he shot at the wedding, she shows up at his flat. Juliet insists she wants them to be friends, but when she views the wedding video Mark recorded, she sees many extreme close-ups of herself and few of Peter's face. She realises Mark's true feelings towards her. After an uncomfortable silence, Mark blurts out that he acts cold out of "self-preservation".


On Christmas Eve, Juliet answers the doorbell to find Mark carrying a boombox playing a Christmas carol and large cue cards. While Peter is inside watching television, Mark tells a message of his love to Juliet through the cue cards. As he walks away down the street, Juliet runs after him, gives him a quick kiss and returns inside.


Jamie returns to England, realises he is in love with Aurélia and begins learning Portuguese. He returns to France to find her and ends up walking through town with her father and sister, gathering additional people as they walk to her waitressing job. In basic, and often grammatically incorrect Portuguese, he declares his love for her and proposes. She says yes in broken English, showing she too had been studying English "just in cases", as the crowd erupts in applause.


Sarah first appears at Juliet and Peter's wedding, sitting next to her friend Jamie. An American working at Harry's graphic d




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