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Language Development

Ianastasija Omoore
Ianastasija Omoore


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While most Western countries condemned the Russian invasion of Ukraine at the United National General Assembly, the Palestinian Authority remained silent. The Palestinians regard the Ukrainian struggle against the invasion as competing with them for international attention, claims this article.

You get off the crowded camioneta (small bus), decorated with plastic saints, plastic flowers and painted stencils, filled with school children, mothers holding their babies, housewives carrying grocery bags, white-collar workers dressed in neatly ironed shirts, youngsters listening to music from their telephone, the rest of us forced to listen to whatever salsa, reggaeton or hip-hop tune the driver prefers. The camioneta has taken us from the main street, where we lined up waiting for the buses to fill and take off, up through the winding, potholed main road passing through various barrio neighborhoods, interspersed with some lower middle-class residential buildings.

In the 1970s, many major US cities were suffering from the dire consequences of deindustrialization and errors in urban planning. Crime rates were increasing rapidly, neighborhoods were deteriorating, and public spaces were in disrepair. New Hollywood cinema responded to these alarming trends by shifting the American frontier from the western plains to inner-city streets. As Westerns lost their appeal to large audiences, urban cop movies enjoyed increased popularity. Struggling cities like Los Angeles, San Francisco, and New York City emerged as the backdrop for the re-staging of archetypal American myths in the context of urban decay. As Lawrence Webb observes,the American city in decline, transition and renewal provided seventies cinema with a grounded, densely textured fictional world and narrative space, a powerful symbol of America's wider social malaise, a subject for exploration and ideological critique, and frequently, a source of aesthetic inspiration and visual fascination 59ce067264


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